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The Next Generation of the Worldwide Standard in Professional Pitch Correction. Hailed as a "holy grail of recording," by Recording magazine (and adopted worldwide as the largest-selling audio plug-in of all time), Auto-Tune corrects intonation problems in vocals or solo instruments, in real time, without distortion or artifacts, while preserving all of the expressive nuance of the original performance - with audio quality so pristine that the only difference between what goes in and what comes out is the intonation. All with a user-interface that is a model of clarity, speed and ease-of-use.

For most common pitch problems, Auto-Tune 5's Automatic Mode instantaneously detects the pitch of the input, identifies the closest pitch in a user-specified scale (including minor, major, chromatic and 26 historical and microtonal scales), and corrects the input pitch to match the scale pitch. A Retune Speed control lets you match the retune rate to virtually any performance style. For meticulous tweaking, the Graphical Mode displays the performance's detected pitch envelope and allows you to draw in the desired pitch using a variety of graphics tools. This mode gives complete control over the correction or modification of the most elaborate expressive gestures.

Auto-Tune is used daily by thousands of audio professionals around the world. Whether to save studio and editing time, ease the frustration of endless retakes, to save that otherwise once-in-a-lifetime performance, or to create striking special effects, Auto-Tune 5 is the tool of choice.

Key new Auto-Tune 5 features include::
Improved pitch detection algorithm: While Auto Tune's patented pitch detection technology has always provided unmatched speed and accuracy, Auto-Tune 5 introduces improvements in performance with marginal quality (noisy, poorly isolated, etc.) audio.

A sleek new interface: As Auto-Tune's features have proliferated from version to version, we have continually focused on maintaining its ease of use. With Auto-Tune 5, we have undertaken a complete graphic redesign. The result is both easy on the eyes and logically groups related controls for intuitive functionality.

Consolidated Pitch Tracking control: The previously separate Automatic and Graphical Mode Tracking controls have been consolidated into a single control and relocated to the Options dialog for set-it-and forget-it simplicity. Automatic Mode Features::
Humanize function: For those concerned about pitch correction that is "too perfect," the Humanize function allows you to set a fast retune speed for short notes, while still allowing natural variation in held notes, for results that are even more natural and realistic.

Realtime natural vibrato adjustment: The new realtime Natural Vibrato function allows you to modify (either increasing or decreasing) the depth of any vibrato that is present in the original performance.

Graphical Mode Features:
Larger Pitch Edit Display: As you've no doubt noticed, the Pitch Edit Display is now bigger. Lots bigger. Sync to host transport (host dependent): For hosts that provide valid time information, Auto-Tune 5 will now maintain sync with the host program. Once you have tracked audio and created correction curves, you can move around in your track at will. No more having to always start playback at exactly the same location.

Selectable Clock Source: For hosts that do not provide valid time information, Auto-Tune 5's clock display and selection functions let you use an internal time reference for Auto-Tune 4 style operation.

Realtime pitch tracking display: During the Track Pitch process, the graphic representation of the pitch and envelope will be displayed in realtime as the audio plays.

Full-time correction mode (host dependent): Whenever Auto-Tune 5 is not specifically tracking audio, Auto-Tune 5 will be operating in correction mode. There is no longer any need to press a "Correct Pitch" button. Besides being convenient, that makes possible the following feature:

Multiple simultaneous Graphical Mode instances (host dependent): You can now have multiple instances of Auto-Tune Graphical Mode operating on different tracks simultaneously, even if their windows are not open. In previous versions, since you had to have plug-in windows open to engage Correct Pitch mode, only open instances could be active. No longer.

Editing functions no longer modal: You can now use all of the graphical editing features while Auto-Tune 5 is either tracking or correcting pitch.

Enhanced Envelope Display functionality: We've made changes to the Envelope Display to make it much more useful for quick and easy navigation around your audio:

Realtime graphical vibrato depth adjustment: The Adjust Vibrato control allows you to modify the depth of vibrato in your audio while preserving the contour of the original vibrato. Moving this control results in a real-time graphical representation of the resulting vibrato contour.

Dedicated Snap To Note button: When using the Line Tool, clicking this button constrains the tool to exact scale notes.

Dedicated Clear All Data function: Provides a convenient method to instantly clear all saved tracked audio and correction curve data. Compatibility with Pen Tablet Input: With a pen tablet, you can control Auto-Tune 5's graphical tools (as well as all the other controls) using a familiar pen-style input device. A pen tablet can offer increased drawing accuracy with less wrist stress in long sessions.

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Antares Auto Tune 5 TDM Pitch Correcting Plug-In Specifications:

  • Auto-Tune is available for:

    Macintosh (Universal Binaries): TDM, RTAS, VST, Audio Unit

    PC: TDM, RTAS, VST

    As a bonus, TDM versions will include an iLok authorization for all Auto-Tune 5 Native versions. This authorization will be linked to the TDM version authorization and must therefore reside on the same iLok Smart Key.

    Auto-Tune 5 TDM for Macintosh and PC

    Macintosh Version: Pro Tools HD 6.2 or later: Pro Tools HD 7.2 or later required for Graphical Mode sync: Mac OS 10.3.9 or later as required by your version of Pro Tools

    PC Version: Pro Tools HD 6.2 or later: Pro Tools HD 7.2 or later required for Graphical Mode sync: Windows XP or Vista as required by your version of Pro Tools

    MIDI:
  • Auto-Tune 5's MIDI functions require that your computer be equipped with a MIDI interface and properly configured system level software. Some host applications may not support the routing of MIDI to plug- ins, in which case Auto-Tune 5's MIDI functions will not operate.

    Auto-Tune 5 requires authorization via iLok USB smartkey.

    Upgrade Information:
  • Upgrades to Auto-Tune 5 will be available for purchase and download by current registered Auto-Tune owners.
  • *If you purchased and registered a copy of Auto-Tune 4 after September 15, 2006, you will be entitled to a free upgrade to Auto-Tune 5. To get your free upgrade, you must still complete the upgrade process at the Antares Software Upgrade page when Auto-Tune 5 becomes available.

Antares Auto Tune 5 TDM Pitch Correcting Plug-In

Write A Review

1 User Rating

Overall

Overall: 8.00

Quality

Quality: 9.00

Features

Features: 9.00

Value

Value: 8.00

Customer Reviews

Overall

Overall: 8

Quality

Quality: 9

Features

Features: 9

Value

Value: 8

Amazing effects!
Posted by ShagggDiesel from Danville KY on Feb 12, 2008
Experience w/product: I have used it
Reviewer's Background: Active Musician/Recording Engineer
Reviewer's Play Style: Rap/Hip-Hop, Metal, Rock, Acoustic
I tried the trial of this plug-in as a VST with my Pro Tools LE, and I must say, it's really neat. You can correct vocals with the click of a button. With some adjustments, you can make that robotic "T-Pain" or "Cher" effect, sounds almost identical to those artist, although using the autotune with these settings requires a bit of singing ability or the pitch gets really jumpy, I'de suggest downloading the free VST trial from the website to see how you like it. I'm pretty sure I will be buying this in the future.

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Antares Auto Tune 5 TDM Pitch Correcting Plug-In

Overall: 8.00Read 1 Review

We're sorry, this product has been discontinued.

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