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In-your-face onstage monitoring. |
The compact, rugged, and lightweight Nady PM-200A Powered Personal Stage Monitor can be mounted on a mic stand (with optional adapter), set on a keyboard, amp, or table for effective up-close monitoring, or as a stage monitor with 4 different angled positions for optimum placement and versatility. The monitor is designed to reduce stage clutter and volume by putting the sound where you can most use it. The PM-200A features headphone outputs, line outputs, and external speaker outputs. The PM-200A stage monitor is also extremely versatile and can be configured in a number of ways to suit your special needs.
The PM-200A Powered Personal Stage Monitor is the perfect tool for monitoring audio on stage or in rehearsal. This unit puts the controls at your fingertips so you'll never have to scream for "More Monitors!" again. The Nady PM-200A is tailor-made to reduce feedback while allowing vocals and instruments to stand out in the mix. Simply input a line level feed from the main or monitor mixer and adjust the EQs and Volume to your personal liking. Or you can input your instrument/vocal signal directly, before outputting to the main PA, to hear yourself solo. You'll hear yourself loud and clear and never miss the bridge again with the PM-200A monitor by your side!
Nady PM-200A Powered Personal Stage Monitor Features:
- Powerful internal 150W RMS amp
- Specially designed dual ferro-fluid 5" drivers
- Powers internal speakers plus up to 4 PM-100 Personal Stage Monitors
- 2 external speaker outputs
- 125dB maximum SPL cuts through loudest mixes
- Balanced 1/4" TRS and XLR input jacks
- Volume control
- 3-band EQ controls Clipping LED indicators
- High-powered headphone output
- 1/4" balanced line output for daisy chaining with other PM-200A, or connecting to mixers and PAs
- Mounts on a mic stand with optional stand mount adapter (sold separately)
Order today and hear yourself loud and clear.
Nady PM-200A Powered Personal Stage Monitor Specifications:
- Mic Input: balanced XLR
- Input Impedance: 2K
- Maximum Input: -10.2dBm (235mV)
- Sensitivity (for max output w/Volume max): -40dBm (7.5mV)
Line Input: balanced/unbalanced TRS 1/4"
- Input Impedance: 20K ohms (10K ohms unbalanced)
- Maximum Input: +22dBm (10V)
- Sensitivity (for max output w/Volume max): -10dBm (230mV)
Line Output: balanced XLR
- Output Impedance: 1.4kOhm
- Maximum Output (w/10K load): 15.5dBm (4.3V)
EQ and Volume: rotary knobs
- High: +/-12dB @ 10K Hz
- Mid: +/-12dB @ 2.5K Hz
- Bass: +/-12dB @ 120 Hz
- Headphone Output: 1/4" TRS Stereo
- Power: 2 x 80mW @ 32 ohms
Power Amp Output: 2 internal speakers, 2 external 1/4" outputs
- Power: 2 x 50W RMS @ 8 ohms (Total 100W RMS)
- 2 x 75W RMS @ 4 ohms (Total 150W RMS)
- Frequency Response: 20Hz 50KHz
- THD: 0.055%
- S/N: -81dB
- Noise Floor: 200uV
- Amplifier protection: clipping LED's, thermal runaway, short circuit, anti-thump on/off protection
Internal Speakers: 5" full-range
- Impedance: 8 ohms
- Voice Coil diameter: 1"
- Power Requirements: Selectable, 115VAC/60Hz or 230VAC/50Hz
- Fuse Requirements: 5x20mm glass tube F.B. 6A 250V @ 115VAC
- 3A 250V @ 230VAC
- Weight: 9.6 lbs. (4.4 Kg)
- Dimensions (HWD): 11.1" x 7" x 6.1" (28 x 18 x 15.5 cm)
Nady PM-200A Powered Personal Stage Monitor
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Average of 5 User Ratings
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Customer Reviews
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Decent monitor, good value
Posted by NorCalRawker from Northern California on Sep 1, 2009
Experience w/product: I own it
Reviewer's Background: Avocational musician
Reviewer's Play Style: Rock
We found that the gain on these units was so hot that we barely crack open the volume knob and have to be careful at the mixer as well. We were very disappointed trying to run one or two PM100 (passive model) from a PM200 - hardly any volume from the PM100 units. Also, the little button for the internal speaker on-off fell off one of ours. Not a big deal, but shouldn't happen. We ditched our floor wedges (and associated outboard amplifiers) and just use these now.
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You Get What You Pay For
Posted by g9rocks64 from Harrison, Michigan on Jul 22, 2009
Experience w/product: I own it
Reviewer's Background: Active Musician
Reviewer's Play Style: Acoustic Rock
I also have a slightly more expensive Galaxy personal powered monitor which was quite loud, you could only put the volume at about 1/2 or you'd be too loud for an acoustic set, and was expecting something to match the small acoustic amp I had. Unfortunately, I am not thrilled with the Nady version. You have to crank every control to max if you want to hear yourself over a small acoustic guitar amp and even then the sound is muffled. I would recommend that someone spends a little more money to get better quality.
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The Least expensive powered personal monitor
Posted by The GQs from Orange County, CA on Jul 2, 2009
Experience w/product: I own it
Reviewer's Background: Active Musician
Reviewer's Play Style: Soft Rock
THE GOOD: it is compact, The amp is strong, it has power to drive speakers, it has balance XLR and 1/4" for audio input also 1/4" audio out to loop the out-put to the other PM-200A powered monitor speaker. It can pole on any standard mic stand. It is loud if the bass EQ is set to halfway or at center. It has TOO MUCH mid-frequency, it sounds like, the sound is bouncing from a glass or mirror or very hard surface, its needs some kind of form to pad inside the cabinet to absorb the mid frequency. THE BAD: The first day I received these speakers, one of the woofer from one of these speakers was not working, I tried the extension speaker on/off switch many times but no luck, I some how push that switch and hold it, the second woofer sounded but with only high frequency, no MID or LOW frequency coming out from that second woofer, as soon as I released the extension on/off speaker switch, the sound from the second woofer stopped. I would only recommended to those who play in one man band or a band with low budget and who doesn’t required high quality monitor speaker.
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Swiss army knife of spot monitors
Posted by 96 Strat Plus from Louisiana on Jun 24, 2009
Experience w/product: I own it
Reviewer's Background: Active Musician
Reviewer's Play Style: Rock, jazz, country, etc...
I've had this little monitor for a few weeks now, and I've used it as stage monitor for a drummer, a keyboardist, a guitarist, and even a makeshift Karaoke PA for my daughter and her friends. In every application the monitor performed flawlessly. This weekend I will be running monitors for a major outdoor gig, and plan to use the PM200A as my monitor instead of my usual headphones.
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Very versatile little monitor
Posted by Anonymous Musician from Louisiana on Jun 4, 2009
Experience w/product: I own it
Reviewer's Background: Active musician, and live sound tech
Reviewer's Play Style: Everything from classical, to Jazz, to Rock
I bought this monitor as an all around "fix-it" for several problems. So far in just one week I've used it as a vocal monitor, a monitor for my guitar rig when the provided "backline" amp blew a tube, a hot spot for my drummer who can't ever seem to hear the vocals in his wedge monitors (he now wants to mount the NADY PM200A on his drum rack), AND I plugged an iPod into this thing for some background music at birthday party. The ability to turn off the internal speakers, flexible inputs, and real tone controls, are a definite pluss to this little monitor. This little monitor has done everything I've asked it to do, including running a couple of 12 inch full range speakers at the aforementioned birthday party. I'd rate it a perfect 5, but I want to wait and see how durable it is. So far, it's done great.
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Nady PM-200A Powered Personal Stage Monitor
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