Ribbon mic technology made affordable.

The Nady RSM-5 Studio Microphone has a low-tension aluminum ribbon design for smooth, natural extended low and high ends. With fast, accurate transient response, ultra-high SPL capability, and stunning realism. The compact shape of the RSM-5 makes unobtrusive placement a breeze when recording instruments. Other features include: Figure-8 audio directional pickup patterns with front and rear wide, extended sweet spots (as compared to large diaphragm condenser mics); increased off-axis high frequency response on sides, with decreased high response above and below on-axis; individual recording volume control of separate sources; and machined housing with advanced internal shock mount construction for the highest structural integrity and rugged reliability.

Looking for smooth, clear-sounding vocals? Ribbon technology gives you the natural-sounding highs while the figure-8 pattern eliminates proximity effect and the low frequency rumble that comes with the off-axis coloration of cardioid mics. Plus, you get a little room tone for added ambience and realism.

Nady RSM-5 Ribbon Studio Microphone Features:

• Low-tension, 45mm long, 2-micron thick aluminum ribbon design with large mellow ribbon audio reproduction
• Smooth, natural extended low and high end detail with realistic mid-range
• Perfect for miking guitar amps and cabinets, brass instruments, strings, piano, percussion, vocals and orchestra ambiance
• Up to 135dB SPL capability for stunning realism and accurate transient response
• Figure-8 pick-up pattern with extended sweet spot for both front and rear sides
• Includes microphone clip and carrying bag

Nady RSM-5 Ribbon Studio Microphone Includes:

• mic clip and pouch

Order with the protection of our 45-day lowest price and total satisfaction guarantees!

Nady RSM-5 Ribbon Studio Microphone Specifications:

• Polar pattern: figure 8
• Sensitivity: -60±2dB (0dB=1V/Pa.)
• Frequency response: 30-18KHz
• Output impedence: 200 Ohms
• Recommended load impedence: 1000 Ohms
• Max. SPL (1% TDH @ 1000 Hz): 165 dB
• Mic cable: 3-pin XLR standard link cable
• Size: diameter 2.125" (54 mm), length 6.5" (165 mm)
• Weight: 11 oz. (312 gr.)

Nady RSM-5 Ribbon Studio Microphone

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Average of 6 User Ratings

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Better than my other mic's.

Posted by Dave from San Mateo, California on Feb 7, 2010

Experience w/product: I have heard about it

Reviewer's Background: Guitar and Piano player

Reviewer's Play Style: various

I bought two of these. The mic clips are worthless, but the mic has good quality construction. I use my SM57 clips and a Brumlein bar. I've been using two large condenser mic's, two SM 57's, and one other dynamic mike. This mic has the detail of the condensers, and the nice fat sound of the dynamic mic's - the best of both worlds. It makes my other mic's sound pretty lame once the highs are added via EQ.

I took the inner screens out to see how it would sound without them. It had a lot more highs, but I didn't think it sounded as good without the screens - not as sweet on the highs when compared to those added by EQ with the screens left in. It seemed to resonate a lot with some of my guitar strings without the screens. I have a solid wood guitar and it resonates a lot. I put the screens back in and I think it sounds better. It sounds very good with singing. For acoustic guitar, it also sounds much better than my other mic's, but first I had to turn up the highs and drop the lows on my UB802 mixer. I plan to use these mic's as my first choice for vocals and acoustic guitar. If you buy these you should make sure you have something to EQ them with, and a preamp with at least 55 or 60 dB of gain. You could probably get by with 50 dB.

I tried adding highs using software and it didn't seem to work nearly as well as adding highs with the analogue UB802. Overall, I feel very happy with the mic's. I thank Nady for providing Ribbon mic's at a price I can afford.

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Great Deal

Posted by BigJim57 from Middle America on Oct 29, 2009

Experience w/product: I own it

Reviewer's Background: Musician, Tech, Engineer

Reviewer's Play Style: Rock, Pop, Blues

This mic is already priced right, but I added the 20% off mailer to it and got it for a steal. I'm a longtime musician and tech and I do a lot of recording. I build my own tube mic pre's and this mic works wonderfully with them. As a VERY EXPERIENCED music electronics person, I can say I was surprised at how well theses mics are made. Nice and heavy construction, and surprisingly meticulous workmanship. I couldn't find anything wrong with this mic. It didn't really fit into the included zipper pouch, though. As money allows, I'm going to add at least one more of these mics to my already extensive collection. Well done!

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Killer tone from low to high.

Posted by tonesonics from Chillicothe, Ohio on Aug 20, 2009

Experience w/product: I have used it

Reviewer's Background: Active musician/Recording Engineer

Reviewer's Play Style: All styles

These mics are hot once you take the extra wind screen out. This of course voids all warranties. They become more sensitive...and that's it... "more sensitive". They pick up every nuance from floor rumbling lows to warm sparkling highs. Great buy for the money. I use it on everything.

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Sounds Great!

Posted by Ap.Rhys from Parkersburg, WV on Feb 22, 2008

Experience w/product: I own it

Reviewer's Background: Hobbiest, home recording

Reviewer's Play Style: everything except cRap

I just bought one of these and plugged into my powered hot spot monitor. It does give a smooth sound and it's the first time I've ever liked the sound of my voice dry. As per the previous review I tried the back side and it sound great too. The front is more midrange and the back bassier and with more highs. Got my wife to sing in one side and I sang in the other and it works great for that as well if your into harmonies and duets.

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Great Mic

Posted by Five Day Foreacst from The moon on Jan 10, 2008

Experience w/product: I own it

Reviewer's Background: Active Musician

Reviewer's Play Style: Alternative Drum and Bass

I bought this mic because it was cheap (that's just how I do things). It works fine but is very delicate, as are all ribbon mics. The best spot for drums is in between the snare and bass drum. That allows it to pick up all cymbols and everything. Spread the word.

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Nady RSM-5 Ribbon Studio Microphone

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