An industry-standard channel strip from the father of pro audio, updated with user-requested features.

The LA-610 by Universal Audio defined the affordable, ultimate vintage tone channel strip. So how can UA improve on tonal perfection on what was already a hit product? Enter the sequel...LA-610 Mk II, a second-generation revamp of the original 2005 LA-610 design. While the preamp and compressor are identical to the original LA-610 that professionals have come to know and love, additional features have been added such as true compressor bypass, larger metering, improved output signal, and an auto-sensing power supply. The LA-610 Mk II also features the highly popular black-on-black cosmetics of the LA-610 Signature Edition.

The original UA 610 tube mic pre and EQ have been used to record artists ranging from Frank Sinatra to Eddie Van Halen. It's a sound that never gets old just better thanks to the spirit of Bill Putnam and modern advances in electronics design.

Universal Audio LA-610 Mk II Classic Tube Recording Channel Features:

• Based on Legendary Bill Putnam 610 Tube Mic Pre and EQ Used on Countless Classic Recordings
• Authentic Teletronix LA-2A-style T4 Opto-Compressor
• Complete vintage channel-strip at groundbreaking price within project studio reach
• Mic Pre with Gain and Level controls, variable impedance switching, and Instrument DI for recording tone "color"
• Mk II Features such as True Bypass, Larger Metering and Improved Signal Output
• UA build quality and heritage, audiophile components, hand-assembled in the USA
  
  MK II Improvements:
• True Bypass of the Compressor Circuit
• Larger and Better Lit Metering
• Improved Output Signal Performance
• Auto-Sensing Universal Power Supply
• Improved stability with feedback-style shelving EQ
• Improved consistency with Input Gain values
• LED Jewel Light Never Needs Replacing
• General:
• Mic, Line and Hi-Z Input, Line Output
• Dual Impedance Mic and Hi-Z inputs (Mic: 2K, 500OHMS, Hi-Z: 2.2M, 47Kohms)
• 5 position Stepped Preamp Input Gain, Continuous Preamp Output Level
• -15dB Pad Switch (15dB Pad/Off)
• Phase reverse (0/180°)
• 48 volt Phantom Power switch (+48v/Off)
• ± 9 dB stepped High Shelving Filter (4.5, 7, 10 kHz)
• ± 9 dB stepped Low Shelving Filter (70, 100, 200 Hz)
• T4 Optical Compressor with Continuous Peak Reduction and Makeup Gain
• Compress/Limit/Bypass Modes of Dynamic Operation (3:1 / : 1)
• Meter Source Selector Switch (Preamp/Gain Reduction/Compressor)
• Front Panel Power switch (On/Off)
• Custom Altran and Cinemag Transformers

Get Universal Audio's hit-making tube/optocompressor sound to warm up your DAW on cold nights and pay an incredibly low price for this premium pro audio gear!

Universal Audio LA-610 Mk II Classic Tube Recording Channel Specifications:

• Microphone Input Impedance: Selectable, 500 Ohms or 2k Ohms
• Balanced Line Input Impedance: 20k Ohms
• Hi-Z Input Impedance: Selectable, 2.2M Ohms or 47k Ohms
• Maximum Microphone Input Level: -8 dBu (2K input Imp. & 15 dB Pad in)
• Maximum Output Level: 80 Ohms
• Recommended Minimum Load: 600 Ohms
• Frequency Response: 20 Hz to 20 kHz ± 0.5dB
• Maximum Gain: 40 dB (Line), +77dB (Mic)
• Noise Floor: -72 dBu 20 - 20kHz (Line In, unity Gain)
• Compressor Ratio: 3:1, soft knee, program dependent
• Limiter Ratio: : 1, soft knee, program dependent
• Attack Time: 10 ms, program dependent
• Release Time: Dual stage: 60 ms for 1st release, then 1 - 15 sec.
• Tube Complement: (3) 12AX7, (1) 12AT7, (1) EL84
• Power Requirements: 100V / 120V / 240V
• Power Consumption: 30 Watts
• Power Connector: Detachable IEC power cable
• Dimensions: 19" W x 3.5" H x 12.25" D (two rack spaces)
• Weight:12 lbs.

Universal Audio LA-610 Mk II Classic Tube Recording Channel

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Average of 4 User Ratings

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Probably the best out there....

Posted by Chris from Paris, France on Sep 2, 2009

Experience w/product: I own it

Reviewer's Background: Pro musician

Reviewer's Play Style: Rock and Metal

I've owned this thing for very little time, but I've used its older brother ( the mkI ) quite often. It sounds great, that's for sure. The tube character is obvious but not overwhelming which means it can be transparent or coloring depending on your settings. It's very easy to dial by the way and that's one of the strengths of this machine. You can't sound bad through it unless you set it blindfolded, and if you do sound bad there's something seriously wrong with the rest of your signal chain. It's a mellow, somewhat vintage sounding device, but it sounds very full and accurate. On acoustic instruments and vocals, it's amazing. It's also pretty good as a D.I box, but other channel strips can do just as good for cheaper in that regard.

If you can afford it, and your recording environment is good enough ( please don't patch this into an M-box mini, it's not designed for this kind of usage and that would just be wasting money ), then it's the kind of gear that you'll keep for a lifetime.

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Quality UA

Posted by C.E.O from Mt.View,Hi. on Aug 17, 2009

Experience w/product: I own it

Reviewer's Background: N/A

Reviewer's Play Style: Country,Rock,Blues

First off I have 2 of the original LA-610's there no longer making them. But the specs are only slightly different. These channel strips are the best. Don't waste your money on inferior products for your studio. The sound is crisp,clear and quite. Using for acoustic instruments and vocals. Shure SM81 and Neuuman Tlm 103 bring out some incredible sounds. Buy 1 and hear the difference.

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Good stuff

Posted by Anonymous Musician on May 22, 2009

Experience w/product: I have heard about it

Reviewer's Background: N/A

Reviewer's Play Style: N/A

I've been using the LA-601mkII for about 6 months now and it rocks! It has incredible sounding tube saturation which makes vocals sound lush and full. You can also dial in a nice crisp and clean sound as well. Using this requires very little post processing and has saved me tons of time and headache.

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the la 610 mkii

Posted by c.locke from oklahoma city on Dec 12, 2008

Experience w/product: I own it

Reviewer's Background: Recording Engineer,composer

Reviewer's Play Style: gospel,hip hop

We had the chance to have the avalon 737 in the studio along with the la 610 mkii an we did a shoot out on all levels. A lot of people think that if gear cost more, it must be the best, not so in this case. Depending on what sound your looking for, we all thought the la 610 sounded a whole lot better than the avalon737. Don't be fooled by the hype on products. I lost a lot of money buying gear an sending it back cause it just didnt work for me. The la 610 is a great product, I think it should be a few hundred less but other than that its a better unit. You dont have to worry about it breaking you rack stand also.

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Universal Audio LA-610 Mk II Classic Tube Recording Channel

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